Fans have noted that the installment abandons the clinical white for a pastel dystopian palette—mint greens, faded pinks, and chrome. This is a direct nod to the Bratz and Living Dead Dolls aesthetic, filtered through Gord’s lens of functional fetishism. The storage cases (the boxes the "dolls" are packed into) are now transparent polycarbonate with integrated breathing tubes and moisture wicking, making the long-term storage scenes both safer and more claustrophobic.