Gone are the days of English-only typography. Bliss 2 supports an extensive character set covering . This means you can design seamlessly for:
A "font family" is only as good as its range. Many typefaces offer a "Regular" and a "Bold," leaving designers to fake medium weights by pressing "Bold" again. shatters this limitation. Bliss 2 Font Family
The is one of the most celebrated and highly functional British humanist sans-serif typefaces in contemporary typography . Designed by renowned type designer Jeremy Tankard , the family builds upon the foundations of historic British lettering while introducing a contemporary softness and flawless technical consistency. Gone are the days of English-only typography
┌────────────────────────────────────────┐ │ BLISS 2 APPLICATIONS │ └───────────────────┬────────────────────┘ │ ┌──────────────────────────┼──────────────────────────┐ ▼ ▼ ▼ ┌─────────────────┐ ┌─────────────────┐ ┌─────────────────┐ │ CORPORATE ID │ │ WAYFINDING │ │ DIGITAL UX/UI │ │ Logos, reports, │ │ Airport signs, │ │ Responsive apps,│ │ and internal │ │ public transit, │ │ crisp layout │ │ documentation │ │ city guides │ │ scaling │ └─────────────────┘ └─────────────────┘ └─────────────────┘ Corporate Branding Many typefaces offer a "Regular" and a "Bold,"
A font family is only as strong as its range, and Bliss 2 offers a comprehensive spectrum. Typically, the family is broken down into two main optical sub-families: (for body copy) and Bliss 2 Display (for headlines), plus a Bliss 2 Condensed variant.
The is not a one-trick pony. Its versatility has made it a secret weapon for global brands.