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The director deliberately subverts traditional gender power structures. "Behzad initiates but doesn't finish conversations with any female characters in the film. He plays a supporting role rather than a leading one," Fotouhi observed, "which is likely a reflection of the current socio-political conditions in Iran and the prominent role women play in it".

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This is changing. The new wave of Iranian romance—exemplified by Boomerang , My Favourite Cake , and recent series like Tasian —is actively subverting these old patterns, putting female agency at the center of the frame. " Fotouhi observed