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Where is the audience’s eye focused at the moment of the cut? Does the cut respect that focus, or does it force the eye to jump unnaturally? Editors must track the physical position of the audience’s attention within the frame and ensure that the point of interest remains consistent or moves logically across cuts. Disrupting the eye-trace forces the audience to reorient themselves, breaking the spell of the film.

Murch advises that if a cut breaks the bottom rules but makes the top ones work, the audience will likely not notice or care. 3. The Shift from Physical to Digital (Revisiting the Text) in the blink of an eye walter murch pdf 106

Human blinking reflects a change of thought; cuts must mirror this. Creative Speed Where is the audience’s eye focused at the