: Typical of Nsugbe’s work, the song features masterful acoustic guitar work, rhythmic percussion, and soulful, philosophical vocals.
You are encountering the "Analog Gap." Igbo highlife from the 1970s-1990s was primarily pressed on vinyl or cassette tape. Much of it has never been digitized. Furthermore, "praise songs" for local chiefs (like an Ozoemena ) were often recorded in very limited quantities—maybe 100 cassettes sold at the local market. : Typical of Nsugbe’s work, the song features