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Judith Butler’s notion of gender as performance finds a vivid illustration in the figure of Dreamtranny. In the dreamscape, the self is not bound by the static scripts of day‑to‑day life; it can don a sequined cloak one moment and shed it for a simple linen shirt the next, without fear of social repercussion. Dreamtranny is both the performer and the audience, a mirror that reflects back the fluidity that the waking world often denies. dreamtranny havenna sofia and yanka costa d