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The primary engine of modern entertainment is no longer the studio executive but the algorithm. Streaming giants like Netflix, TikTok, and YouTube have replaced human gatekeepers with predictive models. This has democratized content—allowing niche genres (from Korean reality dating shows to “slow TV” knitting tutorials) to find global audiences. However, it has also flattened the cultural monolith. In the 1990s, the Seinfeld finale was watched by 76 million people. Today, the most-watched streaming show might be viewed by a fraction of that, fragmented across release schedules and binge habits. We are no longer a mass culture; we are a collection of micro-cultures, each fed by a bespoke feed. Companies are moving away from traditional models to