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who view her body and labor as property.

Instead of finding sanity and order, Immacolata discovers that the "normal" world is riddled with hypocrisy, exploitation, and emotional cruelty. As she navigates encounters with her family, the upper class, and a cynical drifter named Osiride (Franco Nero), the film reveals a dark truth: the outside world is just as much of a prison as the asylum she left behind. The Creative Force: Tinto Brass Before the Eroticism who view her body and labor as property