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Malayalam cinema’s "Golden Era" (the 1980s to early 1990s), led by giants like Bharathan, Padmarajan, and K. G. George, abandoned the studio sets for the kavu (sacred groves) and the tharavadu (ancestral homes). They introduced the "everyday hero"—flawed, tired, and human. George, abandoned the studio sets for the kavu
The rise of streaming platforms exposed global audiences to Malayalam cinema's tight screenplays and technical excellence. Minnal Murali broke barriers as a grounded homegrown superhero film, while Jallikattu became India's official Oscar entry. Internal Crises and Progressive Shifts
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