The title track is a masterclass in tone. In 24-bit, the opening riff has a "bite" that 16-bit audio rounds off. The howling vocal effects during the bridge feel more immersive, swirling across the soundstage. 2. Waiting for Darkness

Released in late 1983, Bark at the Moon merged gothic horror themes with commercial heavy metal production.

The brilliant, locked-in rhythm section of Bob Daisley and Tommy Aldridge is fully restored. Daisley’s nuanced, melodic bass lines guide the songs, and Aldridge’s thunderous, acoustic drum dynamics feel incredibly natural.